With wit and cunning, Noble's poems insinuate themselves into the mediations of 'we use language' / 'language uses us,' into the objectification of 'mind,' into the struggles and cracking of systems. Cuing on Hegel's epochal revitalization of the syllogism, they begin with sentences-cum-arguments that issue from an everyman's intentions and insights, playing into and baiting the 'sociality of reason.' In the cut-up sentences then come the restless, accelerated themes—themes that exist only in their variations, ghosting into one another like the dusk and the dawn in a winging, distended now.